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previous exhibitions |

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Seven Line Drawings (9 May - 13 June, 2008)
Picasso
Olivier Berggruen selected the drawings for the exhibition and contributed the essay introducing these rarely shown drawings in a limited-edition catalogue published by the gallery. Berggruen’s unexpected selection of seven line drawings, created over 66 years of Picasso’s life, reflects his sophisticated understanding of the artist’s relationship to his environment and the variety of mediums with which he worked... (continued)
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A Portrait of the Dalai Lama (16 April - 3 May, 2008)
Robert McCurdy
McCurdy's skillfully executed paintings, belonging to his series of portraits begun in 1997, distill the viewer’s traditional response before a portrait. The subject of his paintings is the gaze, not the portrait’s sitters, who in recent years have included internationally recognized figures such as Gabriel Garcia Marquez, Toni Morrison, Neil Armstrong, and Nelson Mandela... (continued) |

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wir (7 March - 12 April, 2008)
Norbert Witzgall
Wir, the German word for we, has been chosen by Norbert Witzgall as a title for his first solo exhibition in New York for a double reason: we, the viewers, we the paintings, face each other in the gallery space; and we instead of I accounts for the many ways his paintings go... (continued) |

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manquerate: act 1 (27 September - 3 November, 2007)
Mansita Walu Diawara
For this exhibition, drawing from the French words manquer, frustrated in realizing an ambition and rater, to fail to satisfy, Diawara explores and dismantles the idea of truth that is associated with the photographic image, which in turn is informed by an assortment of auditory, visual, and literary references... (continued) |

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Other Men's Flowers (19 June - 11 August, 2007)
This project was initiated by Joshua Compston/Factual Nonsense, who chose the title in memory of Viscount Wavell’s anthology of the same name, originally published as a tribute to the relationship between art and war. The exhibition includes a work by each of the following artists: Henry Bond, Stuart Brisley, Don Brown, Helen Chadwick, Mat Collishaw, Itali Doron, Tracey Emin, Angus Fairhurst, Liam Gillick, Andrew Herman, Gary Hume, Sarah Staton, Sam Taylor-Wood, Gavin Turk, and Max Wigram... (continued)
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Umanaqtuaq (3 May - 15 June, 2007)
Joanna Malinowska
In 2006, Malinowska made her journey to Baffin Island in the Canadian Arctic to follow in the footsteps of Franz Boas, arguably the father of American anthropology, who was one of the first Western scholars to study the Inuit. Traveling to the Arctic nearly 120 years after Boas, Malinowska's Umanaqtuaq presents material documenting her attempt at ethnographic research interviewing the local Inuit musician and Elvis Presley impersonator, Jimmy Ekho... (continued) |
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Space Oddity (22 March - 28 April, 2007)
Margo Victor
Victor works in a wide range of media including 16 and 35 mm film as well as painting, photography and drawing. Victor’s minimal and non-conclusion oriented work in film celebrates the alternative, with regard to the positions of power that women must create within society... (continued) |
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Landscapes (11 January - 10 February, 2007)
Robert McCurdy
These pictures are proto-cinematic landscapes imbedded with a temporal presentness. Small objects perform as surrogates, stand-ins for a romanticized reality that lies somewhere between Casper David Friedrich and Alfred Hitchcock. Unlike traditional photography, they do not slice time but rather suspend it... (continued) |
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California (14 November - 22 December, 2006)
Meg Cranston
Included in this exhibition is a major new work titled Eyes Smell Onions, a large-scale wall collage made especially for Venetia Kapernekas Gallery. In it, the artist has created a cosmology of onions cum spotlights cum eyeballs that gyrate across a field composed of advertisements from the Los Angeles Times. The concentric circles of the onion image create a mesmerizing effect - an extreme and unstable vitality. We wonder if the center can hold. Our eyes smell onions... (continued) |
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